![]() If you get footage from a DSLR or mirrorless stills cam that doesn't write timecode, you can now fake a time of day timecode track by using the file’s creation date. To this end, we focused our last release of the year on quality-of-life improvements.ĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata. Timecode and more.ĮditReady will continue to be the world’s fastest, easiest-to-use transcoder for video pros. This is why we've decided to make three versions of EditReady, each tailor-made for different needs. We want to be able to focus on both ease of use, speed, and help our pro users with complex workflow needs. Adding those features to EditReady would only add complexity and cost for those not needing it. Many of those upcoming features however, are for the 20%. Per the Hedge philosophy, features should always cater to 80% of its user base. As we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Heaps of features and improvements were added that were useful to about anyone, plus all those RAW formats this year. Over the last decade, we’ve done a lot to make EditReady the go-to transcoder for video professionals. You seem to notice our renewed efforts, as we’ve seen an inpouring of feedback since □ 80/20 Through it all, we've made sure to keep the simple interface and blazing-fast speed you've come to expect from EditReady. Since the EditReady team joined Hedge just over a year ago, we’ve added lots of new RAW formats - RED, ARRI, CanonRAW, Sony X-OCN, and ProRes RAW.Īt the same time, we've added Color Awareness - our log color science engine that makes working with RAW just as easy as any other format. QuickTime and MP4 cameras, DSLRs, and phones.Burn-in timecode, metadata, custom text and imagesĮditReady automatically parses camera media and metadata and converts to high quality edit formats so you can get to work fast.Resize, rotate, retime, trim in and out points, and apply color changing LUTs.Designed to ensure you get the best quality output for your source media without confusing settings.Rewrap or transcode media into edit-optimized masters and proxies.Fast, simple transcoding for dailies, editorial, and delivery.Įasy, Fast and Powerful Transcoding for Video Professionals.As the year ends, we're excited to ship our fourth major update to EditReady. Output QuickTime movies for Adobe Premiere Pro and Apple Final Cut Pro, FCPX, and iMovie. ![]() ![]() Write DNxHD/HR OPAtom or OP1a MXFs for Avid Media Composer. Use the overlay editor to layout custom overlays to be composited on top of your video. ![]() Import images with alpha channels to apply complex bugs or watermarks. Layout custom formatted text, including metadata values from the source media. Use the overlay tool to burn-in timecode, reelnames, shoot dates, media names, etc.ĮditReady is designed to use all the power available on a modern Mac. It can even leverage the power of your graphics card for fast image processing.ĮditReady allows you to view and edit all of the metadata contained within your file - this may include location data, camera settings, and diagnostic information. You can even use metadata to automatically rename files, or burn it into overlays.ĮditReady allows you to screen your camera original media files before you transcode them.
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